Skip to main content

Don't Play DOOM With a Gamepad

My PC died recently and I've been struggling to fill the DOOM void in my life ever since. I have a Chromebook now, which can run DOSbox and therefore DOOM, but it's far from an ideal way to play. The Chromebook version of DOSbox doesn't seem to support mouse input, and the machine is so underpowered that I get pretty awful performance. In desperation, I bought the Switch versions of DOOM and DOOM II, for a total of 3 dollars.

DOOM on a gamepad is not an ideal experience.

The Switch port at least runs better than the DOS version on my Chromebook, but aiming with an analog stick doesn't feel great when you can't aim up or down, and more importantly, the speed of this game's movement is just way too fast for an analog stick to keep up with. It's one thing when you have a mouse that you can use to turn as fast as you want, but when there's a specific speed at which you turn, it's impossible to find one that's fast enough to keep up with the movement, but slow enough to be accurate with.

The Switch port is weird in a few other ways which aren't unique to it. The medpacks have a green cross instead of a red one, a concession apparently made in a previous port to appease copyright laws, as well as the usual censorship of nazi imagery in the secret Wolfenstein levels, which has persisted through several versions of DOOM II.

Of course, DOOM is still DOOM, and even when played with a substandard input method I'd rather play DOOM than not. I certainly feel that I've gotten my 3 dollars worth, but I just wish I could play it properly, with a mouse and keyboard. I'd only recommend this version of DOOM if you're really desperate and have no better options.

Comments

Popular posts from this blog

Physical Feedback: "VictimGirls R: Molestation Eradication Campaign" by Asanagi

Content warning: molestation, rape, sexual violence Last week I spoke pretty positively about one of Asanagi's VictimGirls doujins, and this week I thought it might be interesting to provide a counterpoint with an entry in the series which I find it difficult to enjoy, primarily on moral and cultural grounds. VictimGirls 21 took place in a clearly fantastical setting and involved the use of magical garments and mind control, which made it very easy to compartmentalize the morality of the scenario and simply to project onto whatever participant most appealed to your desires; VictimGirls R: Molestation Eradication Campaign , however, takes a... different approach. The book portrays a feminist movement against molestation in which young girls appoint themselves as unofficial anti-molestation activists and publicly call out molesters on trains. Said movement is almost immediately revealed to be comprise primarily of self-serving, sadistic, or suggestible girls partaking in spurious

Physical Feedback: Hot Shit High Chapter 1

Hot Shit High Chapter 1 can be read here . It's time to introduce another character who will surely be making repeat appearances over the course of this series: Erotibot . A western porn artist who takes stylistic influence from both live-action western pornography and japanese h-doujinshi, Erotibot made a huge impression on me with the first work of his that I saw: Hot Shit High. The setting is a loving pastiche of exaggerated americana; a high school where the cheerleaders are so cartoonishly promiscuous as to have no qualms removing their panties in the hallway, the jocks are utter pigheaded oafs who maintain social standing through intimidation and threats of gun violence, and should a trigger be pulled in between classes, a teacher will burst out of the nearest classroom, blazing away with a tommy gun and exclaiming "NO SHOOTING IN THE HALL!" I wasn't kidding Our story focuses on Marvin, a lame-ass nerd who the head cheerleader Sharlene has set her si

Physical Feedback: "VictimGirls 21 - Livestock: Happy End" by Asanagi

Content warning: rape, bestiality, degradation, fantasy racism The artist Asanagi, publishing h-doujins through the group Fatalpulse, has acquired something of a reputation on the portions of the english-speaking internet that read eastern pornography, and for good reason; they make masterfully-crafted comics in which absolutely awful things happen to the "victim girls" mentioned in the title of their longest-running series, and for a lot of people this is understandably off-putting. That said, a lot of people tend to overlook the nuance of how this is presented; it's generally not just straight up misery porn, at least not the way it's often handled. Usually the situation is presented as something the "victim" actually likes quite a lot, and simply didn't want to admit, generally because of societal factors. Now don't misunderstand, obviously the scenarios portrayed in these works would be absolutely immoral in a real-world setting; "Sh